Contents
Introduction
Part One Ancient Woodcuts
I. The Invention of Chinese Block Printing and
the Rise of Woodcut prints
II. Woodcut Prints from the Tang Dynasty and the
Five Dynasties
III. Woodcut Prints of the Song and Yuan
Dynasties
IV. Woodcut Prints of the Ming Dynasty
1. Prints of the Early Ming Dynasty
2. Woodcut Prints of Mid Ming Dynasty
3. The Hui School of Engraving
4. Rise of Art-Manual Block Prints
5. The Climax of Late Ming Dynasty Woodcut Prints
V. Woodcut Prints of the Qing Dynasty
1. Imperial Block Prints of the Early Qing Dynasty
2. Resurgence of Woodcut Prints
3. The Lingering Light of Woodcut Prints at the End
of the Qing Dynasty
4. The Rise of Rongbaozhai
VI. Woodcuts Among the People
1. Yangliuqing New Year prints
2. Taohuawu New Year Prints
3. Southern Shanxi New Year Prints
Part Two Modern Woodcuts
I. Lu Xun and the modern Woodcut Movement
1. Background of the Times
2. Why Lu Xun Advocated the Modern Woodcut
3. How Lu Xun Fostered the Modern Woodcut
II. The Modern Woodcut Movement in Shanghai in
the Thirties
III. Nationwide Modern Woodcut Movement in the
Forties
1. Woodcut Movement in Liberated Areas
2. Woodcut Movement in Kuomintang Areas
IV. Development of Woodcut Prints After the
Birth of New China
Afterword
List of Plates
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